Mike + Doug Starn: Big Bambú - Geometry of Innocence, Ordrupgaard 2018 / Image © Andreas Omvik

Big Bambú at The Art Playground, Ordrupgaard, 2018

Art is engaging, it is something that physically invites you in – yes, even something you can climb on! At least at Ordrupgaard it is. On the museum’s Art Playground, which is supported by Nordea-fonden, children and adults can explore a range of artworks that are not only compelling to the eye, but also challenge the senses. In 2018, two new artworks will be inaugurated on the Art Playground: Doug and Mike Starn’s monumental bamboo maze Geometry of Innocence from their Big Bambú series, and Terunobu Fujimori’s new interpretation of the traditional Japanese tea house Tea Tree House.

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In Search of beauty at Foto Colectania, Barcelona, July 2018

In Search of beauty at Foto Colectania, Barcelona, July 2018

Leiter combined photography and painting all his life, and continued painting daily until his death in November 2013 at age 89. But the camera became the medium through which he managed to capture and interpret the life of New York City in multi-layered compositions, as well as in intimate scenes, as nobody had done before.

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Big Bambú at The Museum of Fine Arts Houston, June 2018

Big Bambú at The Museum of Fine Arts Houston, June 2018

Mike and Doug Starn have re-conceived their ongoing Big Bambú project for Houston, filling the Museum’s austerely graceful Ludwig Mies van der Rohe–designed galleries with a monumental wave of bamboo. An installation of some 3,000 poles lashed together, This Thing Called Life rises 30 feet from the floor of Cullinan Hall, cresting onto the balcony of Upper Brown Pavilion.

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Photographisme Klein, Ifert, Zamecznik at the Centre Pompidou, Paris

Photographisme Klein, Ifert, Zamecznik at the Centre Pompidou, Paris

8 November 2017 - 29 January 2018

The dialogue between photography and the graphic arts begun in the first two decades of the 20th century would prove especially fecund in the two-and-a-half decades following the end of the Second World War (1945–69). This exhibition looks at the post-war interaction of the two disciplines through some hundred photographs and other pieces drawn from the holdings of the Centre Pompidou and from public and private collections abroad.

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